Reissue of 1974, the sound is somewhat clamped, but a good studio of the 1950s and good sound engineering still please the ear. Sarah is a little muffled, except for it’s crazy. Percussion and trumpet sound great almost everywhere. In general, the album makes a normal, background impression, somewhat hindered by Sarina’s cliches.
LP mono remastering – ℗ Anton Stepichev