Make love not war!
Continue reading “Soviet stage of the 1960s, 78rpm shellac Rip”
Continue reading “Soviet stage of the 1960s, 78rpm shellac Rip”
Continue reading “Flexible Records of Krugozor magazine, 1970s LP Rip”
Anna Herman is a pop singer from God with amazing purity of voice and charisma, a rare case. Her voice breaks through the transistors of the 1970s when listening to LP, but unfortunately loses a lot after digitization.
Funny tracks from the series "From melody to melody." Alive, though crooked.
The 7' D-19738 record. And again there is an interesting effect – in the voice of Aida Vedishcheva you can hear live, human intonations, which in the common recording was not audible.
Continue reading “Caucasian Prisoner (Kavkazskaya plennitsa), 1969 LP Rip”
A flexible record of the late 1960s, the voices of the artists are recorded very expressively. Nikulin, it turns out, in each line of “A nam vse ravno” improvises and changes the pronunciation of phrases, then exaggerates, then jokes, then deliberately accentuates the fragment, this is most clearly heard when listening directly from the record and is not heard at all in the common digitization. Mironov sings much simpler, the loss of clarity on his vocals does not affect so much, but listening to him in Lo-Fi is still more interesting.
Continue reading “Diamond Hand (Brilyantovaia ruka), 1969 LP Rip”
Remastered from flexible records, Russian pop-rock of early 1970s, classical audiophile sound of germanium transistors equipment. Record shows competent work of musicians and sound engineers — dense bass, correct compression, full-fledged voices, a bit dirty, but clear highs. Today, such level of pop music sound is completely unattainable.
The records are bent in some places so that incorrigible creases remain on the surface. When playing in these places, loud bass “plops” and floats are heard.
The expressiveness of the Energophone-II sound is most clearly visible on the female vocals of “Добрые приметы”.